Once dark and covered in graffiti, the Nakashibuya Guard has been reborn with bright blue murals, turning the underpass into a new Shibuya landmark.
Shibuya underpass

The Nakashibuya Guard transformed by mural art.

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A railway underpass known as the Nakashibuya Guard connects Shibuya Scramble Crossing with Miyashita Park. It runs beneath the JR tracks on the north side of Shibuya Station. The walls of the underpass were once covered in graffiti. Both sides were used as the Hachiko Exit bicycle parking area, and the tightly packed bicycles gave the space a dark and cluttered feel.

The Nakashibuya Guard, an underpass beneath the JR tracks that connects Shibuya Scramble Crossing and Center Gai with Miyashita Park, Shibuya Ward, Tokyo. (©Sankei by Ikue Mio)

Because graffiti was common on buildings and underpasses throughout Shibuya, anti-graffiti efforts began in the late 2010s. In 2017, the Shibuya Arrow Project was launched. It uses street art to mark disaster evacuation routes while also helping to discourage graffiti.

Graffiti and stickers can still be seen in parts of the area around the Nakashibuya Guard.

A New Look

In 2024, a new mural was completed at the Nakashibuya Guard. Walls that were once covered in graffiti are now filled with bright blue artwork, transforming the tunnel from a dark and unwelcoming space into a much brighter and more inviting one.

Before the makeover, people often took portrait photos in front of the graffiti-covered walls.
A sign on the underpass wall prohibiting posters and graffiti.

In the past, young people often came to pose for photos, but today many inbound tourists stand out instead. A man from Hong Kong was taking pictures because the tunnel appears in his favorite anime.

Artwork that shows the direction of evacuation sites can be found throughout Shibuya Ward.

Shibuya attracts people from all over Japan and around the world. As redevelopment continues and new commercial buildings open, the area is changing from a youth-centered district into something more diverse. This wave of change is reaching not only the main streets but also the quieter corners of the neighborhood.

The arrows in the artwork indicate the direction of evacuation shelters.

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Author: Ikue Mio, The Sankei Shimbun

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