The Saudi National Orchestra (courtesy of the Saudi Arabian Ministry of Culture)
On November 22, the Marvels of Saudi Orchestra tour reached its final destination at Tokyo Opera City. On the way to Japan, it performed in a series of engagements in major cities worldwide.
The concert showcased the Saudi National Orchestra and Choir alongside the Japanese Imperial Gagaku Orchestra and the Tokyo College of Music Orchestra Academy. Before reaching Japan, the musical journey made stops in Paris, Mexico City, New York City, and London. A meticulously designed program showcased the richness of Saudi and Japanese musical heritage.
Gagaku Sets the Stage
The concert opened with "Ryo-oh" (陵王), a prestigious piece in the Gagaku (Japan's ancient court music) repertoire, traditionally performed during Japanese court ceremonies. Known for its dignified and majestic tone, "Ryo-oh" is often featured in Bugaku (court dance) performances.
Ryo-oh translates to "The King of the Tomb," reflecting reverence for imperial ancestors. As one of the oldest and most revered works in the gagaku tradition, it brought a profound sense of solemnity and respect to the performance. Musicians of the Japanese Imperial Gagaku Orchestra delivered the piece with precision, highlighting its stately rhythm and ceremonial elegance. Traditionally associated with court rituals, the composition's resonant tones and intricate melodies set a dignified tone for the evening.
Honoring Saudi Heritage
After the opening performance by the Gagaku Orchestra, the Saudi National Orchestra and Choir took the stage. They performed a series of works blending traditional Saudi music with contemporary arrangements.
During the performance, the visiting orchestra showcased several traditional Arabian songs. Among these was "Tarahib Bi Ghayri," a welcoming piece that emphasizes hospitality, celebrating the spirit of friendship and openness.
Another memorable performance was "Ammar Ya Darna," a patriotic anthem deeply rooted in the Gulf region, particularly Saudi Arabia. "Khobayti," a slow, emotional ballad, was also spectacular. Delving into themes of longing, love, and nostalgia, the song dazzled with its melodic arrangement.
Both songs are classic examples of Khaleeji music, a genre associated with the Gulf countries. They are characterized by poetic lyrics, rich melodies, and emotive vocals. Traditional instruments such as the oud (a string instrument), qanun (a zither-like instrument), and percussion are among their features.
The orchestra also performed the "AlUla Overture," which served as a nod to Saudi Arabia's commitment to its cultural heritage and its focus on promoting the arts. AlUla is a region in Saudi Arabia known for its ancient archaeological sites. Composed by Omar Khairat, the sophisticated orchestral work showcased the talent of Saudi musicians performing a complex international composition.
Anime and J-Rock
In a nod to popular Japanese culture, the Saudi Orchestra also performed several anime melodies. These they reinterpreted using Saudi arrangements, providing a fresh take on a familiar genre. Among the highlights were theme songs from Pokemon, Detective Conan, and Captain Tsubasa.
A collaborative performance with the Tokyo College of Music Orchestra Academy followed this. Adding another layer to the evening's performance was a guest appearance by renowned Japanese guitarist Tomoyasu Hotei. Known for his signature guitar style and work with Japanese rock legends BOOWY, Hotei's involvement was a highlight. His performance added a distinct energy to the concert, as he joined both orchestras for a storming rendition of Led Zeppelin's "Kashmir."
Saudi's Cultural Aspirations
The Marvels of Saudi Orchestra tour was initiated by the Saudi Music Commission, which was established in 2020 to oversee the development of the Kingdom's music sector. It aims to stimulate the growth of Saudi music and promote its visibility on the global stage. Dignitaries such as Prince Badr bin Abdullah bin Farhan Al Saud, the Saudi Minister of Culture and Chairman of the Saudi Music Commission, attended the event.
Paul Pacifico, CEO of the Saudi Music Commission, reflected on the importance of the tour in his speech during the Tokyo performance. Pacifico highlighted the event's collaborative essence and role in fostering cultural exchange. He noted, "Through this concert, we aim to showcase our outstanding Saudi talent and traditions" and "introduce Japan's musical traditions to international audiences."
Future Prospects for Saudi Music
Prince Badr's official visit to Japan coincided with the Tokyo concert. During this visit, the Saudi Ministry of Culture and Japan's Ministry of Education, Culture, Sports, Science, and Technology also signed a Memorandum of Understanding (MoU). The agreement represents a commitment to strengthening their cultural ties, with music serving as a key component of this collaboration.
Saudi Arabia's Music Commission intends to expand the Marvels of Saudi Orchestra tour to additional cities worldwide. This initiative strives to enhance global appreciation for Saudi music while fostering cultural exchange. By introducing audiences to Saudi traditions, the commission aims to promote understanding and create international collaborative opportunities for Saudi artists.
The commission is also focused on developing local talent and building the infrastructure needed to support a sustainable music industry within Saudi Arabia. As it fosters its musicians and international collaborations, the music commission aims to raise the profile of Saudi music globally and contribute to a broader cultural dialogue.
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Author: Daniel Manning
